Dina Brodsky (previously) started keeping a sketchbook at the age of 18, when most of her content was a collection of scattered thoughts and scribbles. Today, the artist and curator has transformed this practice into wildly detailed pages that combine architectural watercolors with notes written in an organized script. As curator-in-residence at Sugarlift in Long Island City, New York, Brodsky has organized an investigation into other contemporary artists’ notebooks in an upcoming interactive exhibition titled Sketchbook Vol 1.
The show presents sketchbooks as art objects rather than artist’s preliminary plans, giving the audience a chance to thumb through the notes and images of artists such as David Morales Hernandez, Diana Corvelle, Nicolas V. Sanchez, Paul Heaston, and Brodsky’s own sketches. “I think an artist’s sketchbook is integral to their process—it’s where ideas are born, where their days and thoughts are documented,” Brodsky tells Colossal. “It’s a living, breathing record of their life, both as an artist and a human being. They also tend to be something private, that artists make purely for themselves, and rarely part with.”[…]